Germany
The Boys in the BoatGermany is both the destination of the Washington crew’s 1936 Olympic journey and the setting for a carefully managed display of national respectability. The athletes encounter an apparently friendly, efficient country, but the welcome is staged against a reality of persecution and concealment. The contrast between those experiences makes Germany more than a backdrop: it reveals how the Olympic spectacle could shape visitors’ impressions while hiding what the state was doing to people beyond their view.
A country made into an Olympic stage
The decision to host the 1936 Olympics posed a political problem for Adolf Hitler. The Olympic ideal of athletes of different nations and races meeting on equal terms conflicted with Nazi racial ideology, and Hitler had initially condemned the Games. Joseph Goebbels, however, recognized that hosting them could present Germany abroad as civilized, modern, friendly, and powerful. The temporary appearance of peace and openness could improve the country’s reputation while its government rebuilt military and industrial strength.
The scale of that presentation was made concrete at the old Deutsches Stadion in Berlin. During an inspection, Hitler ordered that the adjoining racetrack disappear so a much larger stadium, capable of holding at least 100,000 people, could be built. He also called for a unified Reichssportfeld, a broad complex for many sports. The project was framed as evidence of German ingenuity and cultural achievement; its elevated site, overlooking the city and near Grunewald Forest, was to give the arriving world a monumental image of the country.
This public image was managed alongside the suppression of independent information. Goebbels required journalists to belong to a licensed press organization, with licensing barred to people who had a Jewish grandparent or were married to someone who did. Editorial work was to serve the state, and a separate measure threatened death for publishing material judged treasonous. The Olympic welcome was therefore not simply a matter of hospitality: it took shape within a political system that restricted what could be reported and who could report it.
The visitors’ Germany
The Washington oarsmen’s impressions changed as their journey brought them closer to the host country. When their ship travelled up the Elbe River toward Hamburg, crowds gathered along the banks and at docks, cheering, waving, and signaling from boats. Floodlights illuminated the Olympic and American flags aboard the liner; along the route, brightly lit beer gardens and welcoming onlookers supplied an exuberant picture of Germany. Years later, members of the crew remembered that passage as one of the trip’s highlights. The warmth of the reception made the country seem inviting before the athletes had seen much of it for themselves.
After arriving, the Americans were sent to Berlin-Köpenick, where they stayed at a police cadet academy near the rowing course at Grünau. The recently built facility was clean, bright, and efficient, though its cold-water showers reminded the rowers of their old shell house in Poughkeepsie. They could walk through a quaint town and green surroundings, shop, take photographs, and buy souvenirs. To the crew, the places they saw seemed peaceful and familiar. That limited view mattered: it was the view the Olympic preparations had made available to foreign visitors.
The rowing contest also carried a social history into Germany. In Britain, the Australian crew had been barred from the prestigious Henley Royal Regatta because the rules excluded people who had worked for wages as mechanics, artisans, or labourers; policemen were placed within that category. The Australians consequently went to Berlin determined to challenge the British crew. For the Washington oarsmen, many of them working-class Americans rather than heirs to wealth, international competition likewise took place against a background of unequal resources and access. Germany became the meeting place for crews whose routes to the Olympic course had been shaped by institutions and class boundaries as well as training.
Concealment beneath the welcome
The apparent openness of Berlin depended on removing signs of exclusion from visitors’ sight. Notices barring Jews from public places were taken down, and the anti-Semitic newspaper Der Stürmer was removed from newsstands. Nazi officials instructed Berliners to treat foreign guests in a manner designed to make the city appear cosmopolitan and hospitable. Roma and Sinti families were driven from their homes and confined outside the visitors’ view; homeless people were also removed from the streets. These measures did not end the persecution. They rearranged what visitors were likely to encounter.
The crew could not see the violence that had already marked Berlin-Köpenick. In 1933, Nazi forces had seized local Jews, Social Democrats, and Catholics; many were tortured, and ninety-one people died. Nor could the visitors see Sachsenhausen concentration camp being built north of Berlin, or know the extensive imprisonment and deaths that would follow there. The town’s calm appearance thus concealed not merely isolated abuses but a broader system of state terror, whose victims and evidence were kept out of the scenery prepared for the Games.
The Olympic interlude also had a brief life. Within days of the closing ceremony, anti-Semitic signs returned and persecution resumed with renewed force. The supposed transformation of Germany into a benign setting for international sport had not changed the government’s aims; it had made those aims less visible to many guests. Later, the international success of Leni Riefenstahl’s film Olympia extended the reach of the Olympic image. Its lavish Berlin premiere in 1938 was attended by Adolf Hitler and the Nazi elite, while praise for the film and its creator travelled beyond Germany.
Sporting memory and historical reversal
Germany’s place in the account is measured against what the Olympic visitors saw, what they did not know, and what the narrative later discloses. The Americans returned from the Games after encountering welcoming crowds, orderly facilities, and courteous towns; some visitors had come to regard Adolf Hitler’s government favorably. But the concealment proved temporary. In September 1939, Germany invaded Poland, beginning a war that would kill tens of millions of people. The gap between the reassuring Olympic performance and the reality that followed changes the meaning of the crew’s earlier welcome.
The country also remains part of the rowers’ private memory. Decades later, Joe Rantz could recall travelling to Germany and marching under Adolf Hitler’s eyes into the Olympic Stadium in Berlin. Yet when he spoke about the rowing years, it was not the international setting alone that moved him: his strongest emotion gathered around the shared experience he called the boat. Germany therefore holds two kinds of significance in the account. It is the site of an extraordinary athletic achievement and, at the same time, the place where the spectacle of that achievement unfolded amid political deception and persecution.
